الـعـنـف والرقـة وتأثيرهما على شكل ومضمون الـعـمـل الـفـنـي.

Violence and tenderness And their impact on the form and content of artwork )Descriptive and analytical study(.

يمال البحث الموسوم ( الحلف والرفـة ونشرها على شد استان امسال اس علميا متواس ما لدية الوقوف على أساريرة الفنان في إستال سلام الشاب الرقة على الكل جيله الفني ، وكذلك الكشف عن تأثير عوامل السنط النسرة والقرية على أحراء السل اللني التظلي الأمر الذي حدا بالباحت القيام بجمع المواد العلمية بما يحتم عذران هي الدراسة - ولوائع التة سول .. عدم العمل الأول منهجية البحث التي السين . مشكلة البحت واهميته / والتي لطرح من حلالها الباحث مجموعة اساله سوف يشد عليها في الوصول الى تحقيق ما بهدف اليه البحث ليسنى اذا الإجابة عليها ضمن حدود الاحث والتي تدور حول : 1- هل هذالك فسديه من قبل الفنان في اختيار أشكاله الفنية الممثله المحامين عمله الفني بشكل يحاكي تصوراته الذهنية ؟ 2- هل ينجج التنان من إيصال مضامينه الفكرية إلى المتلقي بالشكل الذي يبتغيه ويفسده ؟ 3- هل للسلوب الفني والتقنية الأسلوبية دور في تجسيد مـا يجول في خاطر الفنان ومخيلنه من أحاسيس ومشاعر ستكرارجية وفكرية ؟ - هل تشكل أحاسيس ومشاعر الفنان المتمظيرة من خلال أشكاله الفنية ، تعاطفا من قبل الفنان ؟ ام انها جلب الي وجمالي ليس إلا ؟ اما أهداف البحث / اقد حندها الباحث بالآتي : 1- التعرف على أسلوبية الفنان في إسقاط مظاهر العطف والرقة على اشكال عمله الفني . الكشف عن تأثير عرامل المسغط النفسية والفكرية على اخراج العمل الفني التشكيلي وفيما يتعلق بحدود البحث فقد اعتمد الباحث حدودة الموضوعية وهي عبارة عن أعمال بعض النثلاين على المستوى المحلي والعربي والعالمي بدون تحديد . في حين لم يقوم العيين حدود البحث الزمالية والمكانية خدمة لتحقيق أهدافه وقد تناول الباحث بعض المصطلحات ذات العلاقة بموضوع البحث مثل ( العلف ، الرقة الشكل من المضمون ، العمل الفني) أما الفصل التالي فقد خسص الالار النظري الذي تناول فيه الباحث مرضو عات رئيسية تلخصت ات (العلف وتبعاته النفسية والفنية الرقة والبعنها النفسية والفنية - الاعمال الفنية والعوامل الصاعلة) ومن بين العوامل الصاعلة تلك هي (الضغط النفسي والفكري - اسبات تسوية وجندية - العدام الثقافة - متعلوة النقر - سطوة الدولة أو [ABSTRACT FROM AUTHOR]

The tagged research (violence and tenderness and their impact on the form and content of artistic work) represents a modest scientific effort in order to determine the artist's stylistic projection of violence and tenderness on the forms of his artwork, as well as revealing the impact of psychological and intellectual stressors - implicitly - on the aesthetic of visual artwork. The matter that prompted the researcher to collect scientific materials to serve the title of this study, in terms of three chapters... The first chapter included the research methodology that includes (the problem of the research, its importance, objectives, limitations and determining the most important terms). As for the second chapter, it was devoted to the theoretical framework in which the researcher dealt with major topics summarized as follows: First / Violence and its psychological and artistic consequences / It touched upon the psychological - dark factors - stressing the artist's psyche, which determines his behavior and his outlook on life and through his artistic works. Second / Raqqa and its psychological and technical consequences: Here it was touched that the human life was established on the basis of a delicate and sensitive equation between the elements of "reason" and "emotion" and that any defect in this equation causes a state of turmoil and dispersion, and then pressure factors are established on it by the artist and who During which for his artwork. Third / Artistic works and pressing factors: As there is no doubt that for every artwork there are external factors that press on it and that will control the process of its artistic and expressive production. Among these influences are: 1 -Psychological and intellectual pressure / each artist has intellectual and psychological references that are responsible for defining his behaviors in society, and they themselves constitute effective pressure factors affecting the production of his artwork. 2- Physical and physical reasons / which constitutes a direct pressure factor on the artwork by restricting them to the use of raw materials. 3- Lack of culture / There is no doubt that the artist - as well as the recipient - who does not have enough culture to present his artistic productions, his artistic works will not be at the level that we aspire artistically and culturally, which constitutes a negative pressure factor on the entire artistic process. 4- Poverty in power / where there is no doubt that the poor physical condition of the artist and the economic level of the society in which he lives revolves, a major cause for pressing his artworks to rise to the required artistic and cultural leel. 5- The authority of the state, society, or belief / It is certain that the reasons for shackling the artist’s imaginations and preventing the emergence of free expressive ideas to society by the dominant authority or custom, traditions or religious beliefs, are very significant psychological and intellectual pressure factors on the artist and the recipient on the one hand. As for the third chapter, the researcher assigned it to the research procedures included (research community, samples, methodology, and tool, and then intentionally analyzing the samples chosen by the researcher) .. [ABSTRACT FROM AUTHOR]

Copyright of Journal of the College Of Basic Education is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)