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A silent language? An anthropology of the communication of musicians working in schools ; Un langage silencieux ? Une anthropologie de la communication des musiciens intervenants à l’école

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  • Additional Information
    • Contributors:
      Dispositifs d'Information et de Communication à l'Ère du Numérique - Paris Île-de-France (DICEN-IDF); Université Paris Nanterre (UPN)-Conservatoire National des Arts et Métiers Cnam (Cnam)-Université Gustave Eiffel; Institut national supérieur de l’éducation artistique et culturelle (INSEAC-CNAM); Conservatoire National des Arts et Métiers Cnam (Cnam); SFERE Provence; AMU
    • Publication Information:
      CCSD
    • Publication Date:
      2024
    • Collection:
      Université Paris Lumières: HAL
    • Subject Terms:
    • Subject Terms:
      Aix -en-Provence, France
    • Abstract:
      International audience ; Intervening musicians are a key link in the cooperation chain (Becker, 2006) of arts and cultural education (EAC) in France. Holders of the University Diploma for Intervening Musicians (DUMI), they draw on skills in project design and coordination, acquired during their training and strengthened through professional practice. Interacting with various stakeholders (students, teachers, conservatory staff, parents, etc.), their success partially depends on these actors. This article explores, through the conceptual and methodological tools of communication anthropology (Winkin, 2001), the interactions between primary school teachers (PE) and intervening musicians (MI). Based on the observation of an intervening musician in three classes in a rural municipality in Côtes-d’Armor as part of a 2022 study on the social and cultural trajectories of MIs (Roth, 2025), it highlights a “silent language” structured by reciprocal delegations between PE and MI in their interactions with students. ; Los músicos intervinientes constituyen un eslabón importante en la cadena de cooperación (Becker, 2006) de la educación artística y cultural (EAC) en Francia. Titulares del Diploma Universitario de Músico Interviniente (DUMI), movilizan competencias en diseño y coordinación de proyectos, adquiridas durante su formación y consolidadas por su práctica profesional. En interacción con diversos actores (alumnos, docentes, personal de conservatorios, padres, etc.), dependen parcialmente de estos para el éxito de sus intervenciones. Este artículo explora, a través de las herramientas conceptuales y metodológicas de la antropología de la comunicación (Winkin, 2001), las interacciones entre profesores de primaria (PE) y músicos intervinientes (MI). Basado en la observación de un músico interviniente en tres clases de un municipio rural de Côtes-d’Armor en el marco de una investigación realizada en 2022 sobre las trayectorias sociales y culturales de los MI (Roth, 2025), pone en evidencia un “lenguaje silencioso” ...
    • Online Access:
      https://shs.hal.science/halshs-05243328
      https://shs.hal.science/halshs-05243328v1/document
      https://shs.hal.science/halshs-05243328v1/file/projet-ROTH-Article-Colloque-Aix%20%281%29.pdf
    • Rights:
      http://creativecommons.org/licenses/by/ ; info:eu-repo/semantics/OpenAccess
    • Accession Number:
      edsbas.F3F0764C