Abstract: This article analyzes two novels by the British writer Simon Ings, Hot Head (1992) and Hotwire (1995), from perspectives provided by second-order systems theory, philosophy of neuroscience and posthumanist philosophy. In Ings' cyberpunk fiction, the use of a particular novum, a programmable cerebral tissue called “datafat”, enables elaborate experimentation on different theories of mind and matter. Due to this experimentation, Ings’ work is able to convey a conception of cognition as an emergent effect produced in material processes that are both human and non-human. Ings’ work asserts the human subject as a complex system in a complex technological ecology and, consequentially, presents us with a model for subjectivity that might be called “posthuman."
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