Abstract: In the art world, experiments are being set up that question hegemonic forms of knowledge production and knowledge distribution, and that try out alternative models of living together. We speak about a dynamic of practices where arts, education and politics are thought of together, often described as 'self-organized gatherings of unlearning practices'. The essay aims to intervene in this tendency through a study of the emancipatory and world disclosing operations and tactics at work within a concrete artistic collective 'Para Institute for Arts and Precarity (pKp)'. Analyzing pKp as unlearning practice, the paper is not so much a critique against learning institutions, but a source of inspiration to reconsider knowledge production and distribution as a collective, sensitive practice.
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