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Humanity in the face of collapse: selective empathy and tentacular empathy in visual arts and theatre

• Authors : Ayache, Elsa; Ayache, Solange

Subjects: visual arts; theatre studies; contemporary British theatre

• Source: URI:https://journals.openedition.org/hybrid

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Reconsidering the Double Empathy Problem: A source of exclusion and stigmatisation of autistic persons

• Authors : Tewes, Christian

Subjects: autism; empathy; affective arrangements

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Transforming walls into bridges: art, empathy and mass incarceration in the United States

• Authors : Toth, Naomi

Subjects: art; empathy; justice

• Source: URI:https://journals.openedition.org/hybrid

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The framing(s) of empathy in social media and the arts

• Authors : Burgeon, Julien; Deneuville, Allan; Mniaï, Soukayna

Subjects: media; performance; literature

• Source: URI:https://journals.openedition.org/hybrid

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Empathy for missing and murdered Indigenous women

• Authors : Bonnet, Lucie

Subjects: literature; women; empathy

• Source: URI:https://journals.openedition.org/hybrid

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The limits of empathy in literature?

• Authors : Lebel, Aline

Subjects: reading; India; empathy

• Source: URI:https://journals.openedition.org/hybrid

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Vox populi and antisemitism: Victor Klemperer on the selective “empathy” of Germans towards Jews in the Third Reich

• Authors : Sepp, Arvi

Subjects: empathy; Victor Klemperer; National-Socialism

• Source: URI:https://journals.openedition.org/hybrid

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Horror, empathy and justice in The Gypsy Goddess by Meena Kandsamy

• Authors : Montheil, Aurore

Subjects: literature; India; empathy

• Source: URI:https://journals.openedition.org/hybrid

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Analyzing and subverting the frames of selective empathy

• Authors : Brugeron, Julien; Deneuville, Allan; Mniaï, Soukayna

Subjects: media; empathy; literature

• Source: URI:https://journals.openedition.org/hybrid

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Relevance, sympathy, and empathy: Golden lines to reach the audience

• Authors : Zheng, Yi

Subjects: museum; education; exhibition

• Source: URI:https://journals.openedition.org/iss

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