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The Mind's Sigh: Pictured Reading in Nineteenth-Century Painting.

• Authors : Stewart, Garrett¹

• Source: Victorian Studies. Winter2004, Vol. 46 Issue 2, p217-230. 14p. 6 Black and White Photographs.

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John Singer Sargent Carnation,Lily,Lily,Rose,and the Condition of Modernism in England 1887.

• Authors : Helmreich, Anne L.

• Source: Victorian Studies. Spring2003, Vol. 45 Issue 3, p433-455. 23p.

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Replicas and Originality: Picturing Agency in Dante Gabriel Rossetti and Victorian Manchester.

• Authors : Thomas, David Wayne

• Source: Victorian Studies. Autumn2000, Vol. 43 Issue 1, p67. 36p. 11 Black and White Photographs.

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FROM EDEN TO EMPIRE: JOHN EVERETT MILLIAS'S CHERRY RIPE.

• Authors : Bradley, Laurel

• Source: Victorian Studies. Winter91, Vol. 34 Issue 2, p179. 25p.

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John Millais's children: Faith, erotics, and the Woodman's Daughter.

• Authors : Polhemus, Robert M.

• Source: Victorian Studies. Spring94, Vol. 37 Issue 3, p433. 18p. 1 Black and White Photograph.

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Comments & Queries.

• Source: Victorian Studies. Winter2020, Vol. 62 Issue 2, p359-359. 1p.

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"A Something-Nothing out of Its Very Contrary": The Photography of Coleridge

• Source: Victorian Studies, 2007 Jan 01. 49(2), 208-217.

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Impression Henry Irving: The Performance in the Portrait by Jules Bastien-Lepage

• Authors : Storm, William

• Source: Victorian Studies, 2004 Apr 01. 46(3), 399-423.

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Reader, Viewer, Spectator, Beholder: Response

• Source: Victorian Studies, 2017 Apr 01. 59(3), 457-462.

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Making Art in the Age of Industry: Paintings by George Lance and Photographs by Roger Fenton.

• Authors : O'Neill, Morna

Subjects: PHOTOGRAPHY; PAINTING; PICTURESLANCE, George, 1802-1864; FENTON, Roger, 1819-1869

• Source: Victorian Studies; Winter2020, Vol. 62 Issue 2, p230-243, 14p, 7 Color Photographs, 1 Black and White Photograph

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